Only Rush could have pulled this off, and only in the '70s. 2112--the title suite of the band's 1976 breakthrough album--is a comically pretentious, futuristic rock opera written by a nerdy drummer and sung by a whiny-voiced geek. It also happens to be a great piece of ...

Japanese only 2 x SHM paper sleeve pressing. Features DSD remastering. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC & Universal Music Japan discovered thro...

Motley Crue was the ultimate party band of the '80s, and it showed; whenever they tried to get serious, the results were ugly. Dr. Feelgood is good-time heavy rock from start to finish, and that's all it has to be. This album has more hooks than a fisherman's tackle box...

Sure, they may have been the kings of heavy metal Cheez Whiz, but unlike many image-conscious '80s rockers, Dokken wrote genuinely appealing songs. Frontman Don Dokken's voice carried better than most belters, and George Lynch was a ferociously gifted guitarist who coul...

John Coltrane's work on Atlantic Records marked both his ascent as a leader and the refinement of his trademarked "sheets of sound" improvisational style. This 1961 release features Trane with a variety of celebrated bandmates: pianists Sonny Rollins, Wynton Kelly, and ...

Sure, they may have been the kings of heavy metal Cheez Whiz, but unlike many image-conscious '80s rockers, Dokken wrote genuinely appealing songs. Frontman Don Dokken's voice carried better than most belters, and George Lynch was a ferociously gifted guitarist who coul...

The album that launched a thousand heavy-hearted singer-songwriters on their not-so-merry way, Sweet Baby James was arguably the first shot in what became the soft revolution of the early '70s. A refugee of the Beatles' Apple label, Taylor struck commercial gold with Sw...

Propelled by Mark Knopfler's literate songs, gruff vocals, and spidery guitar work, Dire Straits had overcome initial skepticism for their resistance to '70s new wave accents in favor of a rootsy traditionalism. This 1985 album captures the band consolidating a far more...

Only Rush could have pulled this off, and only in the '70s. 2112--the title suite of the band's 1976 breakthrough album--is a comically pretentious, futuristic rock opera written by a nerdy drummer and sung by a whiny-voiced geek. It also happens to be a great piece of ...

Only Rush could have pulled this off, and only in the '70s. 2112--the title suite of the band's 1976 breakthrough album--is a comically pretentious, futuristic rock opera written by a nerdy drummer and sung by a whiny-voiced geek. It also happens to be a great piece of ...